null

Szent László Dicsérete - Gregorián Énekekkel / Praise of St. Laslo with Gregorian chants / Schola Gregoriana Budapestinensis / Narrator Nagy Ákos / Chorus Master Béres György / Audio CD

(No reviews yet) Write a Review
$33.33
SKU:
8000000055446
UPC:
8000000055446
Weight:
5.00 Ounces
Adding to cart… The item has been added

Product Overview

Szent László Dicsérete - Gregorián Énekekkel / Praise of St. Laslo with Gregorian chants / Schola Gregoriana Budapestinensis / Narrator Nagy Ákos / Chorus Master Béres György / Audio CD

  • UPC 8000000055446
  • MADE IN HUNGARY
  • TOTAL RUNTIME: 50:10

 

Schola Gregoriana Budapestinensis

Karvezető / Chorus Master: Béres György

Narrátor: Nagy Ákos

Musical director: Béres György

Engineer: Belavári Tibor

Mastering: Alpár Tibor

Grafika: Heinz Handsur

Fotó: Hapák József

 

Ladislaus I or Ladislas I, also Saint Ladislaus or Saint Ladislas (Hungarian: Szent László; Croatian: Ladislav I.;Slovak: Svätý Ladislav; Polish: Władysław I Święty; c. 1040 – 29 July 1095) was King of Hungary from 1077 and King of Croatia from 1091. He was the second son of King Béla I of Hungary. After Béla's death in 1063, Ladislaus and his elder brother, Géza, acknowledged their cousin, Solomon as the lawful king in exchange for receiving their father's former duchy, which included one-third of the kingdom. They cooperated with Solomon for the next decade. Ladislaus's most popular legend, which narrates his fight with a "Cuman" (a Turkic nomad marauder) who abducted a Hungarian girl, is connected to this period. The brothers' relationship with Solomon deteriorated in the early 1070s, and they rebelled against him. Géza was proclaimed king in 1074, but Solomon maintained control of the western regions of his kingdom. During Géza's reign, Ladislaus was his brother's most influential adviser.

 

I. László vagy Szent László, horvátul: Ladislav I (Lengyel Királyság, 1040 körül[1] – Nyitra, 1095. július 29.) magyar király 1077-től, horvát király 1091-től haláláig. I. Béla király és Richeza királyné másodszülött fia. Nevéhez fűződik a magántulajdon védelmének megszilárdítása, Horvátország elfoglalása (1091) és az első magyar szentek avatása. Őt magát is szentté avatták 1192-ben és kivételes fizikuma miatt nevezik az „Isten atlétájának” is.[3]

I. Béla király halála (1063) után Géza és László hercegek elismerték unokatestvérüket, Salamont törvényes királynak, akivel a következő évtizedben jó kapcsolatuk volt. A nevezetes történet a kun által elrabolt leánnyal ebből a korszakból származik. A kapcsolat az 1070-es években romlott meg, és a hercegek fellázadtak Salamon ellen. A trónt Géza 1074-ben szerezte meg, de az ország nyugati határvidékén Salamon uralkodott tovább. Ebben az időben László volt Géza legfőbb tanácsadója.

 

Tracklist:

1. Gaudeamus 1:15
2. Boldog László király 2:54
3. Os iusti 2:09
4. Most ámbár 1:41
5 . Narrabo 2:24
0. Természeti adottságaiban 1:16
7. Cui vult venire 1:53
8. Közben a Teremtő 2:07
9. Dilexisti 2:39
10. Mikor pedig 1:05
11. Dextera 1:18
12. Hűséges 1:18
13. Laetetur cor 2:15
14. Ámbár a kegyes királyfi 0:42
15. Laetatus sum 2:46
16. Folytonosan böjtölt 0:33
17. Oui meditabitur 2:43
18. Mikor Istennek 1:27
19. Allelula: Sancti tul 1:55
20. Ez időben tehát 2:15
21. Domine, guis habitabit 3:34
22. Így veszett el 1:40
23. Alleluia: Laetatus sum 2:08
24. Isten szem előtt tartva 1:20
25. Hymnus: Regis regum 2:41
26. A fentieket 0:29
27. Gaudeamus 1:39

 

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant.

Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related chants. The scale patterns are organized against a background pattern formed of conjunct and disjunct tetrachords, producing a larger pitch system called the gamut. The chants can be sung by using six-note patterns called hexachords. Gregorian melodies are traditionally written using neumes, an early form of musical notation from which the modern four-line and five-line staff developed. Multi-voice elaborations of Gregorian chant, known as organum, were an early stage in the development of Western polyphony.

Reviews

(No reviews yet) Write a Review