Product Overview
La Folia (1490-1701) - Corelli, Marais, Martín y Coll, Ortiz & Anónimos / Jordi Savall, Rolf Lislevand, Michael Behringer, Arianna Savall, Bruno Cocset, Pedro Estevan, Adela Gonzalez-Campa / Alia Vox Audio CD 1998 / AV9805
UPC 7619986098050
La Folía (Spanish), or Follies of Portugal (English), also known as folies du Portugal or folies d'Espagne (French), La Follia (Italian), and Folia (Portuguese), is one of the oldest remembered European musical themes, or primary material, generally melodic, of a composition, on record. The theme exists in two versions, referred to as early and late folias, the earlier being faster.
Label: Alia Vox – AV9805
Format: CD, Album
Country: Europe
Released: 1998
Genre: Classical
Style: Renaissance, Baroque
Tracklist:
| I. Folias Antiguas | |||
| 1 |
Anonyme– |
Folia: Rodrigo Martinez (1490) (Improvisations D'Après Le Villancico Du Cancionero De Palacio) |
|
5:10
|
||
| 2 | Diego Ortiz– |
Recercada Quarta Sobre La Folia (1553) |
|
1:31
|
||
| 3 | Antonio de Cabezón– |
Folia: Para Quien Crié Yo Cabellos (1557) (D'Après Venegas De Henestrosa) |
|
2:10
|
||
| 4 | Diego Ortiz– |
Recercada Ottava Sobre La Folia (1553) |
|
1:47
|
||
| 5 | Juan del Enzina– |
Folia: Hoy Comamos Y Bebamos (Vers 1520) (Improvisations D'Après Le Villancico De Juan Del Enzina) |
|
3:12
|
|||
| II. Diferencias Sobre Las Folias | |||
| 6 | Antonio Martín Y Coll– |
Diferencias Sobre Las Folias (D'Après Le Mss. Flores De Música 1357-60 Madrid Bibl. Nacional (1706-1709)) |
|
10:48
|
|||
| III. Follias | |||
| 7 | Arcangelo Corelli– |
Follias (1700) (Op. 5 Roma 1700 / MS. VM7 6308 Paris Bibl. Nationale) |
|
11:08
|
|||
| IV. Couplets De Folies | |||
| 8 | Marin Marais– |
Couplets De Folies (1701) (Seconde Livre De Pièces De Viole, Paris 1701) |
| 18:07 |
- Bells [Grelots (Cascabeles)] – Adela González-Campa (tracks: 1)
- Castanets [Castagnettes] – Adela González-Campa (tracks: 6)
- Design – Loni Geest, Tone Høverstad
- Double Bass [Basse De Violon] – Bruno Cocset (tracks: 7)
- Edited By [Montage Numérique] – Claire Luhan, Marianne Populer
- Guitar – Rolf Lislevand (tracks: 1, 6)
- Harp [Harpe Triple] – Arianna Savall (tracks: 1, 6)
- Harpsichord [Clavecin] – Michael Behringer (tracks: 2, 4, 7, 8)
- Liner Notes – Jordi Savall, Rui Vieira Nery
- Liner Notes [Catalan Translation] – Albert Ràfols Sagués
- Liner Notes [French Translation] – Jacqueline Buisseret
- Liner Notes [German Translation] – Anne Steeb, Bernd Müller (2)
- Liner Notes [Italian Translation] – Luca Chiantore
- Liner Notes [Spanish Translation] – Albert Ràfols Sagués, Montserrat Morilla Gil
- Luthier [Basse De Viole À Sept Cordes] – Barak Norman (tracks: 8)
- Luthier [Basse De Violon] – Alain Meyer (2) (tracks: 7)
- Luthier [Clavecin] – Berhard Fleig (tracks: 2, 4, 7, 8), Hemsch* (tracks: 2, 4, 7, 8)
- Luthier [Claviorganum] – Etienne Fouss (tracks: 5), Philippe Humeau (tracks: 5)
- Luthier [Harpe Triple] – Simon Capp (2) (tracks: 1, 6)
- Luthier [Organo Di Legno] – Berhard Fleig (tracks: 1, 3)
- Luthier [Vihuela De Mano, Guitare, Théorbe] – Lourdes Uncilla (tracks: 1, 2, 4, 6, 8)
- Luthier [Viole de Gambe (Basse)] – Pellegrino Zanetti* (tracks: 2 to 4, 6)
- Organ [Claviorganum] – Michael Behringer (tracks: 5)
- Organ [Organo Di Legno] – Michael Behringer (tracks: 1, 3)
- Painting [Au recto: Adoración Del Nombre De Jesus, (Détail)] – Juan de Roelas
- Percussion, Drum [Tambour] – Pedro Estevan (tracks: 1)
- Photography By [Booklet Ⓒ - Jordi Savall] – Rafael Vargas (3)
- Photography By [Digipak Ⓒ - Jordi Savall] – Albert Aymamí
- Recorded By [Enregistrement Réalisé Par] – Musica Numeris, Nicolas Bartholomée
- Recorded By [Nicolas Bartholomée Assisté De] – Nicolas de Becco
- Theorbo – Rolf Lislevand (tracks: 8)
- Vihuela [Vihuela De Mano] – Rolf Lislevand (tracks: 2, 4)
- Viola da Gamba [Basse De Viole À Sept Cordes] – Jordi Savall (tracks: 8)
- Viola da Gamba [Basse] – Jordi Savall (tracks: 2 to 4, 6)
- Viola da Gamba [Soprano] – Jordi Savall (tracks: 1, 5, 7)
