Product Overview
Handel: Ariodante 2 DVD Set / Dramma per musica in three acts Libretto / IL COMPLESSO BAROCCO ALAN CURTIS, conductor / Bonus tracks: introductions to the opera with John Pascoe and Alan Curtis / DVD
- Aspect Ratio : 1.78:1
- Is Discontinued By Manufacturer : Yes
- MPAA rating : Unrated (Not Rated)
- Package Dimensions : 7.56 x 5.2 x 0.55 inches; 5.13 Ounces
- Media Format : Multiple Formats, Classical, NTSC
- Release date : February 26, 2008
- Actors : Il Complesso Barocco
- Subtitles: : French, Italian, German, English
- Language : Italian (Dolby Digital 5.1)
- Studio : Dynamic
- Number of discs : 2
Double layer disc: this feature may cause a minor pause at the layer changes
Founded in Italy in 1992 by Alan Curtis, one of the most acclaimed specialists in the interpretation of pre-romantic music, Il Complesso Barocco, has become a renowned international baroque orchestra with a focus on Italian Baroque opera and oratorio. Their high standard for interpretation, intonation and stylistic accuracy has led to their being requested in the most important concert venues and festivals in Europe. Notes on this opera: on 8th January 1735 at the Covent Garden in London, Georg Friedrich Handel presented his new opera Ariodante. The opera thus conceived did not immediately win public favor, but with time it was to be understood and appreciated and has remained on playbills among the more successful and interesting titles. Each act corresponds to a precise moment, strictly linked to the action: the first is mainly devoted to presenting the characters; the second, set in a gloomier atmosphere, revolves around the episode of the deceit; the third sees the return of the festive mood with the misunderstanding being cleared up. In order to underline the various situations accessory elements are eliminated and specific instrumental timbres are exalted with solo roles. The right importance is attributed to the extraordinary strength of the instrumental composition which again in Ariodante is intended now as support to the voices now as independent, coinciding with steps in the sinfonia and with delightful dance motives.
