Domenico Bartolucci / Mass - ''Tu Gloria Jerusalem'' - mise / Motets - Motettak / Miskolci Korusfesztival Alapitvany Audio CD 2007

UPC 8590548614491

MKF-003 

Total Playtime 56:45

Tracklist:

Mass - ''Tu Gloria Jerusalem'' - mise

1. Kyrie   4:10

2. Gloria   6:03

3. Credo   8:47

4. Sanctus   2:08

5. Elevazione   2:03

6. Benedictus   2:03

7. Agnus Dei   3:25

Motets - Motettak:

8. O sacrum convivium   2:05

9. Ave Regina coelorum   1:40

10. Regina coeli   1:46

11. Tota pulchra es Maria   2:49

12. Jubilate Deo   1:47

13. Ave. verum   3:59

14. Super flumina Babylonis   6:24

15. O felix Hora   3:25

16. O quam suavis est   4:11

• Soprano - Orosz Lilla
• Contralto - Avedikian Viktoria
• Tenor - Fekete Lorand
• Organ - Mustos Edit

Domenico Bartolucci (7 May 1917 – 11 November 2013) was an Italian cardinal of the Catholic Church. He was the former director of the Sistine Chapel Choir and the Accademia Nazionale di Santa Cecilia, and was recognized in the field of music both as a director and a prolific composer. Considered among the most authoritative interpreters of Giovanni Pierluigi da Palestrina, Bartolucci led the Sistine Chapel Choir in performances worldwide, and also directed numerous concerts with the Choir of the Academy of Santa Cecilia, including a tour of the former Soviet Union.

On 20 November 2010, Pope Benedict XVI elevated him to the College of Cardinals. Because Bartolucci was over the age of 80, he was never eligible to participate in any papal conclave.

Bartolucci was also dedicated to teaching and composition. He was a child prodigy, having composed his first Mass at age 12; his best known Mass is the "Misa Jubilei," written in the Holy Year 1950. The body of his work already published fills more than forty volumes and includes Masses, motets, madrigals, hymns, symphonic, organ, and chamber music, and above all a series of oratorios for soloists, chorus, and orchestra. His three-act opera Brunelleschi is yet to be performed.

The concept of music for Bartolucci is based on naturalness and spontaneity. His reference points are Gregorian chant, Palestrina, and Verdi. Characteristic of Bartolucci's aesthetic conception is a respect for tradition, whose base lies in "a considerable severity of song and a certain limpid and solid polyphony", as he describes in the preface to his First Book of Motets.