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Brahms: Cello Sonatas Nos. 1 & 2; Variations and Fugue / Lynn Harrell / Stephen Kovacevich / AUDIO CD 1997 / EMI Classics / Variations on a theme of Handel

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$115.99
SKU:
724357438926
UPC:
724357438926
Weight:
5.00 Ounces
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Product Overview

Brahms: Cello Sonatas Nos. 1 & 2; Variations and Fugue 

Lynn Harrell

Stephen Kovacevich

AUDIO CD 1997 

EMI Classics  DDD

UPC 724357438926

Made in EU  

Variations on a theme of Handel  

 

TrackList:

 Sample Title/ComposerPerformerTime 
  Sonata for cello & piano No. 1 in E minor, Op. 38  
    1
Allegro non troppo
 
Lynn Harrell / Stephen Kovacevich
13:55  
    2
Allegretto quasi Menuetto
 
Lynn Harrell / Stephen Kovacevich
5:19  
    3
Allegro
 
Lynn Harrell / Stephen Kovacevich
6:13  
  Sonata for cello & piano No. 2 in F major, Op. 99  
    4
Allegro vivace
 
Lynn Harrell / Stephen Kovacevich
8:24  
    5
Adagio affettuoso
 
Lynn Harrell / Stephen Kovacevich
7:31  
    6
Allegro passionato
 
Lynn Harrell / Stephen Kovacevich
6:39  
    7
Allegro molto
 
Lynn Harrell / Stephen Kovacevich
4:11  
    8
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:52  
    9
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:47  
    10
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:37  
    11
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:35  
    12
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:45  
    13
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
1:05  
    14
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
1:01  
    15
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:33  
    16
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:36  
    17
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
1:10  
    18
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:33  
    19
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:48  
    20
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:49  
    21
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
1:18  
    22
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:38  
    23
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:40  
    24
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:30  
    25
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
   
    26
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
1:02  
    27
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
1:00  
    28
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
1:20  
    29
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:50  
    30
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:59  
    31
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:32  
    32
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:35  
    33
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
0:38  
    34
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
 
Lynn Harrell / Stephen Kovacevich
5:03


Total Time: 78:13

 

 

Lynn Harrell Violoncelo / Violoncelle  

Lynn Harrell (born January 30, 1944) is an American classical cellist. 

 

Stephen Kovacevich piano/Klavier

Stephen Kovacevich (born October 17, 1940), who before 1975 was known as Stephen Bishop and then Stephen Bishop-Kovacevich, is an American classical pianist and conductor.

 

Johannes Brahms (German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer are such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.

Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. An uncompromising perfectionist, Brahms destroyed some of his works and left others unpublished.

Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Embedded within his meticulous structures, however, are deeply romantic motifs.

 

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