Annie Fischer – Ludwig van Beethoven - Piano Sonatas Complete • Vol. 1 / A Flat Major Op. 26, F Major Op. 10/2, A Flat Major Op. 110, E Flat Major Op.27/1 / Hungaroton Classic Audio CD 1996 Stereo / HCD 31626
Annie Fischer – Ludwig van Beethoven - Piano Sonatas Complete • Vol. 1 / A Flat Major Op. 26, F Major Op. 10/2, A Flat Major Op. 110, E Flat Major Op.27/1 / Hungaroton Classic Audio CD 1996 Stereo / HCD31626
|Asz-dúr Szonáta = Sonata In A Flat Major Op. 26|
|1||I. Andante Con Variazioni||7:37|
|2||II. Scherzo. Allegro Molto||2:45|
|3||III. Marcia Funebre Sulla Morte D'Un Eroe||6:31|
F-dúr Szonáta = Sonata In F Major Op. 10 No. 2
Asz-dúr Szonáta = Sonata In A Flat Major Op. 110
|8||I. Moderato Cantabile, Molto Espressivo||6:20|
|9||II. Allegro Molto||2:22|
||III. Adagio Ma Non Troppo - Fuga (Arioso), Allegro Ma Non Troppo||11:07|
Esz-dúr Szonáta = Sonata In E Flat Major Op. 27 No. 1 "Quasi Una Fantasia"
|12||II. Allegro Molto E Vivace||2:22|
|13||III. Adagio Con Espressione||2:49|
|14||IV. Allegro Vivace||5:26|
- Composed By – Ludwig van Beethoven
- Design – Miklós Juhász
- Engineer [Balance] – Endre Radányi, Judit Lukács
- Liner Notes – János Mácsai
- Liner Notes [English Translation] – Lorna Dunbar
- Liner Notes [French Translation] – Márta Kelemen
- Liner Notes [German Translation] – Ágnes Gádor
- Photography – Antal Kotnyek
- Piano [Bösendorfer] – Annie Fischer
- Producer [Recording] – Dóra Antal, János Mátyás
About the Piano sonatas:
Ludwig van Beethoven wrote his 32 piano sonatas between 1795 and 1822. Although originally not intended to be a meaningful whole, as a set they compose one of the most important collections of works in the history of music. Hans von Bülow called them "The New Testament" of the piano literature (Johann Sebastian Bach's The Well-Tempered Clavier being "The Old Testament").
Beethoven's piano sonatas came to be seen as the first cycle of major piano pieces suited to concert hall performance. Being suitable for both private and public performance, Beethoven's sonatas form "a bridge between the worlds of the salon and the concert hall". The first person to play them all in a single concert cycle was Hans von Bülow, the first complete recording is Artur Schnabel's for the label His Master's Voice.
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